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・ The American Pageant
・ The American People (book)
・ The American Philatelist
・ The American Place Theatre
・ The American Plague
・ The American Plan
・ The American Poetry Review
・ The American Political Tradition
・ The American President
・ The American Prisoner
・ The American Prisoner (film)
・ The American Prize
・ The American Prospect
・ The American Religion
・ The American Republican and Baltimore Daily Clipper
The American Review (literary journal)
・ The American Review of Public Administration
・ The American Revolution (2014 miniseries)
・ The American Revolution (album)
・ The American Revolution (film)
・ The American Revolution (miniseries)
・ The American Ruling Class
・ The American Scene
・ The American Scholar
・ The American Scholar (magazine)
・ The American School in London
・ The American School of Las Palmas
・ The American School of the Air
・ The American Scream
・ The American Seasons


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The American Review (literary journal) : ウィキペディア英語版
The American Review (literary journal)

''The American Review'' was a magazine of politics and literature established by the conservative publisher Seward Collins in 1933. There were 71 issues published, containing articles, editorials, notes, and reviews, before the journal ceased operations in 1937.
==Formation==
Before he founded ''The American Review'', Collins was editor of ''The Bookman'', a New York-based literary magazine that had changed hands multiple times since its launch in 1895. Under his editorship, ''The Bookman'' increasingly reflected Collins's conservative and pro-Fascist political views. Upon establishing the ''Review'' in 1933, he ceased publication of ''The Bookman'', which he regarded as the former's predecessor.
With the ''Review'', Collins made his political aims more explicit, intending to counter the problems he saw in American politics and economics. To do so he brought together the writings and opinions of four loosely compatible traditionalist groups: the British Distributists, the Neo-scholastics, the New Humanists, and the Agrarians, with whom Collins would have the closest relationship.〔〔
To manage the composition and production of the journal Collins employed a small staff. For most of the run of the journal its editors were Geoffrey Stone, Marvin McCord Lowes, Dorothea Brande, and Collins, with the influence and assistance of political actors and literary figures like Allen Tate.〔

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